Halide Grading · Reel 2026

Est. 2014 · Colour & finishing

Light is chemistry

We finish film. Grade, conform, deliver — a room, a colourist, and however long it takes to get one frame right.

Suites
04
Features
61
Since
2014

01 — Practice

A grade is not a filter. It is a hundred small decisions about where the eye should go, made in a dark room, at the end of a very long process, by someone who has watched the footage more times than the director has.

What we do

Feature and episodic grading, commercial finishing, conform, VFX pulls, mastering and delivery in HDR and SDR.

How we work

One colourist per project, start to finish. Remote sessions with calibrated confidence monitoring, or come and sit in the room.

What we run

Baselight and Resolve, four suites, a 4K DCI theatre, and a reference wall that has been profiled every Monday since 2014.

02 — Selected work

01 / 06

01

Nocturne

Fashion film · dir. Ana Reyes

HDR grade · 2026

  1. Still from Nocturne 01Nocturne Fashion film · dir. Ana Reyes · 2026
  2. Still from The Long Room 02The Long Room Dance film · dir. K. Osei · 2025
  3. Still from Sodium 03Sodium Music video · dir. Mira Vance · 2026
  4. Still from Silent Partner 04Silent Partner Feature · dir. J. Okafor · 2025
  5. Still from Blue Hour 05Blue Hour Commercial · dir. L. Kimura · 2026
  6. Still from First Light 06First Light Documentary · dir. S. Haldar · 2024

03 — The bay

Before / after

Camera original on the left, our grade on the right — both rendered live in a single fragment shader, from the same frame. Drag the handle. This is the whole job in one gesture.

Camera original · Log Halide grade
A comparison viewer. The left half shows flat camera-original log footage; the right half shows the same frame graded. Use the left and right arrow keys to move the divider.

04 — Questions

Before you book

What does Halide do?

Colour and finishing, since 2014, from rooms in Soho and Mumbai. We grade features and episodic work, finish commercials, and handle conform, VFX pulls, dailies, and mastering and delivery in both HDR and SDR.

What is the difference between a grade and a filter?

A filter is one operation applied uniformly to every frame. A grade is a hundred small decisions about where the eye should go — shadows lifted to a cold neutral so blacks stop reading brown, midtones shaped around skin, highlights rolled off early rather than hard-clipped — made shot by shot in a calibrated dark room.

What do you run?

Baselight and Resolve across four suites and a 4K DCI theatre. The reference wall has been profiled every Monday since 2014, because a grade is only as trustworthy as the monitor it was judged on.

Can I attend the grade remotely?

Yes. Remote sessions run live with calibrated confidence monitoring at your end, so what you approve is what the theatre is showing. You are equally welcome to sit in the room.

Who grades my project?

One colourist, start to finish. Work is not passed between artists between reels or between rounds, so the person who set the look is the person who finishes it.

What deliverables can you master?

HDR and SDR masters, DCP for theatrical, and broadcast and streaming deliverables to platform spec. Conform runs from camera original, never from an offline render.

How do I book a suite?

Email studio@webstoree.com or call +91 89815 64862 with the format, the running time, the delivery date and which deliverables you need. Features are usually booked a few weeks out; commercial finishing can often start the same week.

05 — Contact

Bring us the last 10%